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Widowspeak - Roses
An album called "Roses" would be concerned with romantic gestures. Across the ten tracks that make up the seventh and newest Widowspeak record, intimate spaces and stages of love are captured with a nostalgic, vaseline-coated lens. Candles burn inside red glass as lovers get close in a leather booth. Celebrity headshots gaze down like angels in a restaurant. Elsewhere, carnations are pressed in a black book and dancers pull each other close. Widowspeak is a band that riffs on big emotions without being too self-serious. The sweetness, even silliness, of an extended limerent phase that becomes as all-consuming as a pulpy trade paperback. Cars and their drivers serve as a way to talk about odependency. If music can simultaneously be naturalistic and noir, saturated and lush, that is Widowspeak. They're a band that knows how to set a scene. These songs use intimate moments to talk about deeper heartaches: the restlessness inherent in modern existence, waiting around for something to happen. Or, feeling at odds with playing a role in your own life. "Roses" might be the most romantic Widowspeak suggest it can be the whole point. The light that illuminates the dark corners of a day, a life. A reason to keep going despite the pain it can cause. Widowspeak are one of the most prolific and hardworking bands going, bubbling just under the surface. Molly Hamilton and Robert Earl Thomas are the core of the group and it's songwriters, and they have honed their sound across sixteen years and an i'm-pressively consistent catalog. One of many bands to crop up in a fertile New York City music scene, they started out shuffling gear between venues now-since shuttered and their practice space in Monster Island Basement. Widowspeak is now a married couple, working day jobs in their own off-season. Robert is a carpenter, Molly a waitress. "Roses" is Widowspeak at it's best, drawing on forever influences. The magic of the band is, still and always, the interplay between Molly and Robert in their two leading roles: her languid, textured voice and his visceral guitar playing. At the heart of it, their music is special because it is real: most of all for the people making it. Fragile and temporary, and worthwhile... like love itself.
UPC/ISBN: 817949039165
Release Date: 06/05/2026
Product Information
Due to the nature of collectible items and ever changing market demand, we are unable to cancel pre-orders on ratio variants and select other items (1 per store variants, exclusive covers, ect) for a refund.For preorders on regular open order comics (the majority of which are normally cover price), we can cancel preorders and refund with a store credit that can be used in our brick and mortar stores or at thirdeyecomics.com
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At Third Eye, we ship thousands of comics every week, and we know condition matters. Whether you're reading, collecting, or grading, we want you to feel confident when a Third Eye package arrives.
This policy outlines our standard for new release and shipped comics, and the industry-standard guidelines we follow.
OUR STANDARD
Books without a stated grade will be offered as Near Mint 9.4 or better. We do not guarantee 9.8 condition on any book unless specifically noted.
We use industry-standard grading guidelines from:
- Â CBCS Comic Grading Scale
- Â Overstreet Comic Grading Standards
- CGC grading standards
If you're new to comic grading, the resources above are a great place to start.
WHY WE DON'T GUARANTEE 9.8
Modern comic printing is an imperfect process. Books are printed in massive
runs, bound at high speed, and shipped in bulk to retailers. Even brand
new books off the truck will exhibit minor production characteristics,
and that's normal, and consistent with industry standards across every
retailer.
A 9.8 grade represents near-perfection, and the reality is that not every printed book qualifies for that grade no matter where you buy it from.
We can absolutely commit to NM 9.4 or better. We cannot commit to 9.8 on every book, because that's not how comics are made.
WHAT QUALIFIES AS NM 9.4
Per industry standards, a book may exhibit the following minor characteristics and still grade as Near Mint 9.4, as long as there's no accumulation of defects:
Bindery characteristics:
- Minor to moderate corner tears
- White edges along the spine (common on most modern printings)
- Covers slightly offset from interior pages (common on cardstock covers)
Printing characteristics:
- Slight color rub on back covers
- Small paper wrinkles present from the paper roll prior to printing
- Wavy paper texture from the printing process
Spine characteristics:
- 2-3 small color-breaking spine ticks
- Minor non-color-breaking spine dings
These are normal modern production characteristics, not damage from handling or shipping. They are present on books across the industry, regardless
of retailer.
OUR RETURN & EXCHANGE POLICY
We do not accept returns or exchanges on books that meet our NM 9.4 or better standard.
We will replace or refund:
- Books damaged during shipping (clear shipping damage, not pre-existing print characteristics)
- Books that fall below NM 9.4 standard (significant spine damage, major creasing, tears, etc.)
- Wrong cover or wrong issue shipped
For premium variants (1:25, 1:50, 1:100, 1:250, 1:500 incentive covers, signed editions, exclusive variants), we apply enhanced QC during pull and packing. If a premium variant arrives outside our standard, contact us within 7 days of delivery and we will work with you on a replacement.
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If you have questions about a specific book or want to learn more about comic grading, our team is happy to help. Reach out to service@thirdeyecomics.com.
We appreciate your trust in Third Eye Comics, and we're committed to delivering books that meet the standards both you and we expect.